The Last Song

Temsula Ao narrates the chilling story of Apenyo and her mother Libeni in horrific detail in her story

Temsula Ao Updated: Nov 27, 2018 10:50:13 IST
The Last Song Representative image



It seemed the little girl was born to sing. Her mother often recalled that when she was a baby, she would carry her piggyback to community singing events on festival days. As soon as the singers took up a tune and gradually when their collective voices began to swell in volume and harmony, her daughter would twist herself this way and that and start singing her own version of the song, mostly consisting of loud shrieks and screams. Though amusing at first, her daughter’s antics irritated the spectators and the singers as well, and often, she had to withdraw from the gathering in embarrassment. What the mother considered unreasonable behaviour in a child barely a year old, was actually the first indication of the singing genius she had given birth to.

When Apenyo, as the little girl was called, could walk and talk a little, her mother would take her to church on Sundays because she could not be left alone at home. On other days she was left in the care of her grandmother when the mother went to the fields; but on this day there was no one to take care of her as everyone had gone to church. When the congregation sang together Apenyo would also join, though her little screams were not quite audible because of the group singing. But whenever there was a special number, trouble would begin. Apenyo would try to sing along, much to the embarrassment of the mother. After two or three such mortifying Sunday outings, the mother stopped going to church altogether until Apenyo became older and learnt how to behave.

At home too, Apenyo never kept quiet; she hummed or made up silly songs to sing by herself, which annoyed her mother at times but most often made her become pensive. She was by now convinced that her daughter had inherited her love of singing from her father who had died so unexpectedly away from home. The father, whose name was Zhamben, was a gifted singer both of traditional folk songs as well as Christian hymns at church. Naga traditional songs consist of polyphonic notes and harmonizing is the dominant feature of such community singing. Perhaps because of his experience and expertise in folk songs, Zhamben picked up the new tunes of hymns quite easily and soon became the lead male voice in the church choir. He was a schoolteacher in the village and at the time of his death was undergoing a teacher-training course in a town in Assam. He was suddenly taken ill and by the time the news reached the village, he was already dead. When his relatives were preparing to go and visit him, his friends from the training school brought his dead body home. Apenyo was only nine months old then. From that time on, it was a lonely struggle for the mother, trying to cultivate a field and bring up a small child on her own. With occasional help from her in-laws and her own relatives, the widow called Libeni was slowly building a future for her daughter and herself. Many of the relatives told her to get married again so that she and little Apenyo would have a man to protect and look after them. But Libeni would not listen and when they repeatedly told her to think about it seriously, she asked them never to bring up the subject again. So mother and daughter lived alone and survived mainly on what was grown in the field.

At the village school Apenyo did well and became the star pupil. When she was old enough to help her mother in spreading the thread on the loom, she would sit nearby and watch her weave the colourful shawls, which would be sold to bring in additional income. Libeni had the reputation of being one of the best weavers in the village and her shawls were in great demand.

By and by Apenyo too learned the art from her mother and became an excellent weaver like her. In the meantime, her love for singing too was growing. People soon realized that not only did she love to sing but also that Apenyo had an exquisite singing voice. She was inducted into the church choir where she soon became the lead soprano. Every time the choir sang it was her voice that made even the commonest song sound heavenly. Along with her singing voice, her beauty also blossomed as Apenyo approached her eighteenth birthday. Her natural beauty seemed to be enhanced by her enchanting voice, which earned her the nickname of ‘singing beauty’ in the village. Libeni’s joy knew no bounds. She was happy that all those years of loneliness and hardship were well rewarded by God through her beautiful and talented daughter.

One particular year, the villagers were in an especially expectant mood because there was a big event coming up in the village church in about six months: the dedication of the new church building. Every member of the church had contributed towards the building fund by donating in cash and kind and it had taken them nearly three years to complete the new structure of tin roof and wooden frames to replace the old one of bamboo and thatch. In every household the womenfolk were planning new clothes for the family, brand new shawls for the men and new skirts or lungis for the women. The whole village was being spruced up for the occasion as some eminent pastors from neighbouring villages were being invited for the dedication service. Pigs earmarked for the feast were given special food to fatten them up. The service was planned for the first week of December, which would ensure that harvesting of the fields would be over and the special celebration would not interfere with the normal Christmas celebrations of the church. The villagers began the preparations with great enthusiasm, often joking among themselves that this year they would have a double Christmas!

These were, however, troubled times for the Nagas. The Independence movement was gaining momentum by the day and even the remotest villages were getting involved, if not directly in terms of their members joining the underground army, then certainly by paying ‘taxes’ to the underground ‘government’. This particular village was no different. They had been compelled to pay their dues every year, the amount calculated on the number of households in the village. Curiously enough, the collections would be made just before the Christmas holidays, perhaps because travel for the collections was easier through the winter forests or perhaps because they too wanted to celebrate Christmas! In any case, the villagers were prepared for the annual visit from their brethren of the forests and the transaction was carried out without a hitch.

But this year, it was not as simple as in previous years. A recent raid of an underground hideout yielded records of all such collections of the area and the government forces were determined to ‘teach’ all those villages the consequences of ‘supporting’ the rebel cause by paying the ‘taxes’. Unknown to the villagers, a sinister plan was being hatched by the forces to demonstrate to the entire Naga people what happens when you ‘betray’ your own government. It was decided that the army would go to this particular village on the day when they were dedicating the new church building and arrest all the leaders for their ‘crime’ of paying taxes to the underground forces.

In the meanwhile, the villagers, caught up in the hectic activities prior to the appointed day, a Sunday, were happily busy in tidying up their own households, especially the ones where the guests would be lodged. The dedication Sunday dawned bright and cool, it was December after all, and every villager, attired in his or her best, assembled in front of the new church, which was on the same site as the old one. The villagers were undecided about what to do with the old one still standing near the new one. They had postponed any decision until after the dedication. That morning the choir was standing together in the front porch of the new church to lead the congregation in the singing before the formal inauguration, after which they would enter the new building. Apenyo, the lead singer, was standing in the middle of the front row, looking resplendent in her new lungi and shawl. She was going to perform solo on the occasion after the group song of the choir. As the pastor led the congregation in the invocatory prayer, a hush fell on the crowd as though in great expectation: the choir would sing their first number after the prayer. As the song the crowd was waiting to hear began, there was the sound of gunfire in the distance, it was an ominous sound which meant that the army would certainly disrupt the festivities. But the choir sang on unfazed, though uneasy shuffles could be heard from among the crowd. The pastor too began to look worried; he turned to a deacon and seemed to be consulting with him about something. Just as the singing subsided, another sound reverberated throughout the length and breadth of the village. A frightened Dobashi, with fear and trembling in his voice, was telling the people to stay where they were and not to attempt to run away or fight. There was a stunned silence and the congregation froze in their places, unable to believe that their dedication Sunday was going to be consecrated by the arrogant Indian army.

Very soon the approaching soldiers surrounded the crowd, and the pastor was commanded to come forward and identify himself along with the gaonburas. But before they could do anything, Apenyo burst into her solo number, and not to be outdone by the bravery and foolishness of this young girl, and not wishing to leave her thus exposed, the entire choir burst into song. The soldiers were incensed; it was an act of open defiance and proper retaliation had to be made. They pushed and shoved the pastor and the gaonburas, prodding them with the butts of their guns towards the waiting jeeps below the steps of the church. Some of the villagers tried to argue with the soldiers and they too were kicked and assaulted. There was a feeble attempt by the accompanying Dobashi to restore some semblance of order but no one was listening to him and the crowd, by now overcome by fear and anger, began to disperse in every direction. Some members of the choir left their singing and were seen trying to run away to safety. Only Apenyo stood her ground. She sang on, oblivious of the situation, as if an unseen presence was guiding her. Her mother, standing with the congregation, saw her daughter singing her heart out as if to withstand the might of the guns with her voice raised to God in heaven. She called out to her to stop but Apenyo did not seem to hear or see anything. In desperation, Libeni rushed forward to pull her daughter away but the leader of the army was quicker. He grabbed Apenyo by the hair and dragged her away from the crowd towards the old church building. All this while, the girl was heard singing the chorus of her song over and over again.

There was chaos everywhere. Villagers trying to flee the scene were either shot at or kicked and clubbed by the soldiers who seemed to be everywhere. The pastor and the gaonburas were tied up securely for transportation to army headquarters and whatever fate awaited them there. More people were seen running away desperately, some seeking security in the old church and some even entered the new one hoping that at least the house of God would offer them safety from the soldiers. Libeni was now frantic. Calling out her daughter’s name loudly, she began to search for her in the direction where she was last seen being dragged away by the leader. When she came upon the scene at last, what she saw turned her stomach: the young captain was raping Apenyo while a few other soldiers were watching the act and seemed to be waiting for their turn. The mother, crazed by what she was witnessing, rushed forward with an animal-like growl as if to haul the man off her daughter’s body but a soldier grabbed her and pinned her down on the ground. He too began to unzip his trousers and when Libeni realized what would follow next, she spat on the soldier’s face and tried to twist herself free from his grasp. But this only further aroused him; he bashed her head on the ground several times, knocking her unconscious and raped her limp body, using the woman’s new lungi afterwards, which he had flung aside, to wipe himself. The small band of soldiers then took their turn, even though by the time the fourth one mounted, the woman was already dead. Apenyo, though terribly bruised and dazed by what was happening to her, was still alive, though barely so. Some of the villagers who had entered the old church saw what happened to mother and daughter and after the soldiers were seen going out towards the village square, came out to help them. As they were trying to lift the limp bodies, the captain happened to look back and seeing that there were witnesses to their despicable act, turned to his soldiers and ordered them to open fire on the people who were now lifting up the bodies of the two women. Amid screams and yells the bodies were dropped as the helpless villagers once again tried to seek shelter inside the church.


Returning towards the scene of their recent orgy, the captain saw the grotesque figures of the two women, both dead. He shouted an order to his men to dump them on the porch of the old church. He then ordered them to take positions around the church and at his signal they emptied their guns into the building. The cries of the wounded and the dying inside the church proved that even the house of God could not provide them security and save them from the bullets of the crazed soldiers. In the distance too, similar atrocities were taking place. But the savagery was not over yet. Seeing that it would be a waste of time and bullets to kill off all the witnesses inside the church, the order was given to set it on fire. Yelling at the top of his voice, the captain now appeared to have gone mad. He snatched the box of matches from his adjutant and set to work. But his hands were shaking; he thought that he could still hear the tune the young girl was humming as he was ramming himself into her virgin body, while all throughout the girl’s unseeing eyes were fixed on his face. He slumped down on the ground and the soldiers made as if to move away, but with renewed anger he once again gave the order and the old church soon burst into flames, reducing the dead and the dying to an unrecognizable black mass. The new church too, standing not so far from the old one, caught the blaze and was badly damaged. Elsewhere in the village, the granaries were the first to go up in flames. The wind carried burning chunks from these structures and scattered them amidst the clusters of houses, which too burnt to the ground.

By the time the marauding soldiers left the village with their prisoners, it was dark and, to compound their misery, it rained the whole night. It was impossible to ascertain how many men and women were missing apart from the pastor and the four gaonburas. Mercifully, the visiting pastors were left alone when it became known that they did not belong to this village. But they were ordered to leave immediately and threatened in no uncertain terms that if they carried the news of what had happened here, their own villages would suffer the same fate. The search for the still missing persons began only the next morning. They found out that among the missing persons were Apenyo and her mother. When a general tally was taken, it was discovered that many villagers sustained bullet wounds as well as injuries from severe beatings. Also, six members of the choir were not accounted for. An old woman whose house was quite close to the church site told the search party that she had seen some people running towards the old church.

When the villagers arrived at the burnt-out site of the old church building, their worst suspicions were confirmed. Among the rain-drenched ashes of the old church they found masses of human bones washed clean by the night’s rain. And on what was once the porch of the old church, they found a separate mass and through a twist of fate, a piece of Apenyo’s new shawl, still intact beneath the pile of charred bones. Mother and daughter lay together in that pile. The villagers gathered all the bones of the six choir members and put them in a common coffin but those of the mother and daughter, they put in a separate one. After a sombre and songless funeral service, the question arose about where to bury them. Though the whole village had embraced Christianity long ago, some of the old superstitions and traditions had not been totally abandoned. The deaths of these unfortunate people were considered to be from unnatural causes and according to tradition they could not be buried in the village graveyard, Christianity or no Christianity. Some younger ones protested, ‘How can you say that? They were members of our church and sang in the choir.’ The old ones countered this by saying, ‘So what, we are still Nagas aren’t we? And for us some things never change.’ The debate went on for some time until a sort of compromise was reached: they would be buried just outside the boundary of the graveyard to show that their fellow villagers had not abandoned their remains to a remote forest site. But there was a stipulation: no headstones would be erected for them.

Today, these gravesites are two tiny grassy knolls on the perimeter of the village graveyard and if one is not familiar with the history of the village, particularly about what happened on that dreadful Sunday thirty odd years ago, one can easily miss these two mounds trying to stay above ground level. The earth may one day swallow them up or rip them open to reveal the charred bones. No one knows what will happen to these graves without headstones or even to those with elaborately decorated concrete structures inside the hallowed ground of the proper graveyard, housing masses of bones of those who died ‘natural’ deaths. But the story of what happened to the ones beneath the grassy knolls without the headstones, especially of the young girl whose last song died with her last breath, lived on in the souls of those who survived the darkest day of the village.

And what about the captain and his band of rapists who thought that they had burnt all the evidence of their crime? No one knows for sure. But the underground network, which seems able to ferret out the deadliest of secrets, especially about perpetrators of exceptional cruelty on innocent villagers, managed not only to piece together the events of that black Sunday, but also to ascertain the identity of the captain. After several years of often frustrated intelligence gathering, he was traced to a military hospital in a big city where he was being kept in a maximum-security cell of an insane asylum.




P.S. It is a cold night in December and in a remote village, an old storyteller is sitting by the hearth-fire with a group of students who have come home for the winter holidays. They love visiting her to listen to her stories, but tonight Granny is not her usual chirpy self; she looks much older and seems to be agitated over something. One of the boys asks her whether she is not feeling well and tells her that if so, they can come back another night. But instead of answering the question, the old woman starts talking and tells them that on certain nights a peculiar wind blows through the village, which seems to start from the region of the graveyard and which sounds like a hymn. She also tells them that tonight is that kind of a night. At first the youngsters are skeptical and tell her that they cannot hear anything and that such things are not possible, but the old woman rebukes them by saying that they are not paying attention to what is happening around them. She tells them that youngsters of today have forgotten how to listen to the voice of the earth and the wind. They feel chastened and make a show of straining their ears to listen more attentively and to their utter surprise, they hear the beginnings of a low hum in the distance. They listen for some time and tell her, almost in triumph, that they can hear only an eerie sound. ‘No,’ the storyteller almost shouts, ‘listen carefully. Tonight is the anniversary of that dreadful Sunday.’ There is a death-like silence in the room and some of them begin to look uneasy because they too had heard vague rumours of army atrocities that took place in the village on a Sunday long before they were born. Storyteller and audience strain to listen more attentively and suddenly a strange thing happens: as the wind whirls past the house, it increases in volume and for the briefest of moments, seems to hover above the house. Then it resumes whirling as thought hurrying away to other regions beyond human habitation. The young people are stunned because they hear the new element in the volume and a certain uncanny lilt lingers on in the wake of its departure. The old woman jumps up from her seat and, looking at each one in turn, asks, ‘You heard it, didn’t you? Didn’t I tell you? It was Apenyo’s last song’, and she hums a tune softly, almost to herself. The youngsters cannot deny that they heard the note but are puzzled because they don’t know what she is talking about. As the old woman stands apart humming the tune, they look at her with wonder. There is a peculiar glow on her face and she seems to have changed into a new self, more alive and animated than earlier. After a while a young girl timidly approaches her and asks, ‘Grandmother, what are you talking about? Whose last song?’

The old storyteller whips around and surveys the group as though seeing them for the first time. She then heaves a deep sigh and with infinite sadness in her voice, spreads her arms wide and whispers, ‘You have not heard about that song? You do not know about Apenyo? Then come and listen carefully….’

Thus, on a cold December night in a remote village, an old storyteller gathers the young of the land around the leaping flames of a hearth and squats on the bare earth among them to pass on the story of that Black Sunday when a young and beautiful singer sang her last song even as one more Naga village began weeping for her ravaged and ruined children.


Extracted with permission from Breaching the Citadel: The India Papers, Zubaan, 2018

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