Home for the Holidays: Around the Table

From our four-part series of stories that prove that there’s no one right way to celebrate the holidays, as long as you’re with family

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From our four-part series of stories that prove that there’s no one right way to celebrate the holidays, as long as you’re with family

My prairie-raised father was normally a patient, cheerful man. The only time we heard him swearing, in fact, was when he was putting up the outdoor Christmas lights. He was an engineer who liked well-made things that ran smoothly, not the nightmare tangle of half-burnt-out bulbs and wires that he had to haul out of the basement every year. The sound of him gently cursing as he stood on a ladder stringing lights along the eavestrough became an annual tradition—our family’s version of the sound of reindeer hooves on the roof.

The other Christmas task that darkened his mood was the insertion of the tree—usually a long-needled, prickly one—into the fiendishly tiny stand, a green iron thing the size of a teacup. My brother and I would then be conscripted to stand across the room and direct “More to the left” as my father lay muttering under the bottom boughs, micro-adjusting the angle, with his engineer’s need to get it exactly right.

And every year he would carefully unsnarl a set of multicoloured, candle-shaped lights that bubbled like a glass of champagne. But they had to be perfectly upright to bubble. This called for more clucking and tweaking on my father’s part.

My mother never messed with the tree part of Christmas—she was too busy spraying things gold or making a Frank Lloyd Wright gingerbread house. Her way of coping with Christmas was to get wildly creative and quietly subversive. In the halcyon days of the single-income family, parents had time for hobbies, and hers was pottery and sculpting. She especially liked to sculpt children, wearing rubber boots or carrying rakes, inspired by the Hummel figurines that were popular in the 1950s. Come Christmas, my mother would descend to the fruit cellar where she kept her abandoned or failed sculptures. She would then convert them into angels and cherubs by spray-painting them gold and marching these boot-wearing, rake-wielding figures th...

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