Janice Pariat's Top 10 Reads

Janice Pariat is the author of Boats on Land: A Collection of Short Stories. In 2013, she won the Young Writer Award from Sahitya Akademi and the Crossword Book Award for Fiction. Her most recent novel, The Nine Chambered-Heart, is being translated for publication into nine languages.

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Janice Pariat is the author of Boats on Land: A Collection of Short Stories. In 2013, she won the Young Writer Award from Sahitya Akademi and the Crossword Book Award for Fiction. Her most recent novel, The Nine Chambered-Heart, is being translated for publication into nine languages.

 

The Days Of Abandonment By Elena Ferrante, Translated by Ann Goldstein, Europa, Rs 899. I am not a big fan of Ferrante’s Neapolitan quartet, but I do love her early novels. A simple book, no doubt, but look at what Ferrante does with language. This book taught me how closely voice, psychology and words work. 

The Awakening By Kate Chopin, Penguin English Library, Rs 299Condemned as ‘morbid, vulgar and disagreeable’ when it appeared in 1899, Chopin’s The Awakening is now firmly ensconced within the canon of early feminist literature. I love it for its unexpectedness, its quiet radicalism. 

UTZ By Bruce Chatwin, Penguin Books, Rs 1,151. A novella following the varied fortunes of Kaspar Utz who lives in Czechoslovakia during the Cold War. It works as a parable about our fascination with the beautiful and the power that art can have over us. 

Things I Don’t Want To Know By Deborah Levy, Penguin, Rs 691This is the first part of Levy’s ‘living autobiography’ series—a stark, honest writing on the politics of womanhood and what it means to be a ‘woman writer’ in the world. I keep going back to this series every so often for its bravery and resilience. A response to George Orwell’s famous essay, Why I Write, this book encompasses Levy’s own reflections on (a woman’s) writing life. 

The Cost Of Living By Deborah Levy, Penguin, Rs 499The second part is more of a manifesto for what Levy calls “a new way of living”, as she realigns herself and her writing to the life of a single mother in a smaller but “just so much bigger” house.

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